Astral Weeks would be the subject of this piece - i.e., the rock record with the most significance in my life so far - no matter how I’d been feeling when it came out. But in the condition I was in, it assumed at the time the quality of a beacon, a light on the far shores of the murk; what’s more, it was proof that there was something left to express artistically besides nihilism and destruction. - Lester Bangs, 1979

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If music is communication, my own personal conversation has always been imbalanced, with the listening side of the equation getting short shrift (probably true of communication for me, in general). I’ve decided to correct that imbalance by paying attention to music that’s crossed my path, and moved on, when I was too busy paying attention to something else.

So, I’m spending some time looking at things I’ve overlooked - not music that already matters to me, but music that just plain matters, and trying to hear why. Listening to the artist’s words, the words of other listeners, and, of course, the music itself.

I’m starting with Van Morrison’s Astral Weeks. Recorded in two days, released in 1968, not going gold until 1991, but on every significant list of significant music. Why?

I’ve only begun. I have to admit, Morrison’s voice is something of a barrier for me. But the music and lyrics are most certainly not.

The musty sadness of Madame George, certainly:

and the many, many places of personal connection woven throughout:

you breathe in, you breathe out
And you’re high on your high-flyin’ cloud
Wrapped up in your magic shroud as ecstasy surrounds you
This time it’s found you
You turn around you turn around you turn around you turn around
And I’m beside you
Beside you
Oh darlin’
To never never wonder why at all


But first and last, the jazz/folk groove rolling over and under throughout. And especially, the warm, wood surprise of Richard Davis’ bass.

Start where it makes sense to you:

in Van Morrison’s words
in the words of Lester Bangs
• in the music itself, found in all the usual places.

categories: music