A second instance of “I heard it on the radio”:

I had to break away from the God I was supposed to believe in to find the God I could believe in.

This time, a flip to NPR hit me with this. The lyric begins “I know a woman” but does not go at all where I expected:

What Have You Done to Lift Somebody Up?


Paul Thorn
That, and the name of his record label, “Perpetual Obscurity”, were enough to hook me in. Paul Thorn’s music is drenched in such a swampy mix of spirituality and sensuality that his life story almost sounds cliched or redundant: ex-communicated son of a Pentacostal preacher, boxer, skydiver, bluesman.

There’s no shortage of people whose early exposure to gospel influences their very secular later music. And there’s also plenty who sooner or later re-visit a relatively conventional spirituality in their music. But in Thorn, there’s no separation. It’s all there together, body and soul, and no easy convention:

Starvin’ for your Kisses

Crutches

A Long Way from Tupelo

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There’s a lot of wit in his music (as in his website, with the “stimulous” and “response” tabs). Thorn’s music sounds very immediate and from the gut to me, but his is not an unexamined life. He lays it out in his “This I Believe” essay, “Walking in the Light“.

Thorn shows that music can feed body, soul and mind without artificially parsing them apart. This album, A Long Way from Tupelo, is Thorn’s first to crack the Billboard Top 200. It’s worth grabbing at iTunes for all the extra tracks you get, including the sublimely ridiculous “It’s a Great Day to Whup Somebody’s Ass”, which is neither sensual nor spiritual. Best part: Thorn laughing at himself as he sings it.


categories: music